MMXXVI · 2026 Karnataka · India

A South Indian Production House

Films from Malnad hills.

Stories that look small from a distance, and hit hard up close.

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01

About

A film studio. Not a service shop.

Profile

Uptown Films is a South Indian production house making short films and series rooted in the people, hills, and quiet of Karnataka. We tell stories that look small from a distance and hit hard up close.

Our work moves between two threads — original productions, and craft we lend to other filmmakers. We produced the horror short Abishto, and shot Sarangi (2025) — a Kannada psychological thriller streaming on Prime Video. Our next project, Balli Nari, is a vertical series about a real tragedy from the hills of Kodagu and the silence that lets it happen.

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Selected Work

Two threads — what we produce, and what we shoot for others.

A small, deliberate filmography. Lead with story; everything else is in service of it.

02 / I Horror short

Abishto (The Possessed)

A tribute project to David F. Sandberg — director of Lights Out, Annabelle: Creation, and Shazam!. Atmospheric possession horror in the vein of Sandberg's early independent shorts: cold light, long shadows, and dread that builds in the silence.

Produced by Uptown Films

Genre
Horror
Tribute
D.F. Sandberg
Mode
Original
02 / II Feature · Kannada · 2025

Sarangi

A gripping psychological thriller. An ordinary man, lost in the forest, encounters a mysterious woman who forces him to confront his deepest moral truths. A dark study of conscience when no one is watching.

Cinematography by Uptown Films · Directed by J. Achar · Yedathorey Junction Films

Runtime
1h 59min
IMDb
8.6
Cert.
16+

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In Production

Now raising for our next film.

Vertical Web Series · Kodava

Balli Nari

The Predator in the Vines

“In the heart of the hills, innocence met its end.”

A fictional drama set in the mist-covered hills of Kodagu. A young girl walks home from school on a day meant for celebration — and the day refuses to end where it should have.

The series questions the silence around forced marriages and the violence that follows rejection — the Nari that lurks not in the forest, but within society.

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Contact

Working with us. Or just want to talk films.